Armani Group to stop using real animal fur

MILAN, ITALY - SEPTEMBER 20: Designer Giorgio Armani acknowledges the applause of the audience after Emporio Armani show as a part of Milan Fashion Week Womenswear Spring/Summer 2014 on September 20, 2013 in Milan, Italy. (Photo by Vittorio Zunino Celotto/Getty Images)

The Armani Group announced this week that it has committed to stop using real animal fur in future collections across all its labels, starting with its Fall 2016 lines.

Giorgio Armani explained his brand’s pledge in conjunction with the Humane Society and the Fur Free Alliance in a statement via WWD:

“I am pleased to announce that the Armani Group has made a firm commitment to abolish the use of animal fur in its collections. Technological progress made over the years allows us to have valid alternatives at our disposition that render the use of cruel practices unnecessary as regards animals. Pursuing the positive process undertaken long ago, my company is now taking a major step ahead, reflecting our attention to the critical issues of protecting and caring for the environment and animals.”

Per Jezebel, the Armani Group includes the brands Giorgio Armani, Armani Collezioni, Emporio Armani, Armani Privé, AJ Armani Jeans, A/X Armani Exchange, Armani Junior and Armani Casa.

Other designers like Stella McCartney, Tommy Hilfiger and Calvin Klein have also consciously moved away from using fur, and Hugo Boss made the same pledge last year.

“[Armani] was dealing with the industry-wide assumption within the fashion industry that fur equates to luxury,” Humane Society president Wayne Pacelle said. “That was always a questionable assumption, since you can buy strips of raccoon dog or fox fur for as little as $5 apiece or less. In fact, top quality faux fur can cost more. The quality of faux fur these days is exceptional and comes with no moral problems.”

According to the Fur Information Council of America, 70 percent of designers who showed Fall 2016 collections in New York, London, Milan and Paris featured some element of fur.

Katherine McNamara

Katherine McNamara was born to entertain. Taking to the Broadway stage at thirteen alongside some of the most accomplished actors of our time, this powerhouse of a performer quickly hit it big in television and film with her multi-talented repertoire of dancing, acting and singing. She’s vivacious, sincere and a great inspiration for young women. Now on MTV’s Happyland, Katherine takes a few minutes out of her amazing life to talk about what it means to‘fangirl out,’ top fashion accessories of the season and what’s on her bucket list.

I remember seeing you in Girl vs. Monster and thinking, “Wow! That girl can sing!” How old were you when others started to realize what a rare talent you possessed?

I actually fell into this career backwards! I never expected to become an actor, I wanted to be an economist! I was a ballet dancer and a softball player but I happened to run into a family friend who was directing a community theater production. She needed a few dancers for the show and asked me to come audition. I was the kid who would try anything and it sounded like fun so I went for it, just to see what would happen. I ended up being cast in the show and I fell in love. I know it sounds corny, but the moment I stepped on stage on opening night, felt the lights and the energy of the audience, I knew this is what I had to do for the rest of my life. It hit me like a brick wall!

Your career actually started when you were extremely young, working on Broadway. Was it always your goal to transition from the stage to the screen?

It was not, actually! I loved stage (and still do) and truly never even intended to leave Kansas City, where I grew up. Once I ended up in A Little Night Music in New York, that was my new world. I took to the city like a fish to water and once again, never thought I would leave. Now that I have transitioned to including film and television into my career, I now know that I truly love every aspect and medium in this industry. I feel the most successful and fulfilled when I can keep working on different projects in different media. It keeps me learning, growing, and on my toes.

You’ve worked with some really inspirational actors in film and theatrical history, including Angela Lansbury and Bernadette Peters. Who have been powerful influences in your life?

So many people have been influences on me in my career. The most influential to this point are the four legendary women I worked with in A Little Night Music – Catherine Zeta-Jones, Angela Lansbury, Bernadette Peters, and Elaine Stritch. Catherine is the epitome of a glamorous movie star. Everything she does is with grace, kindness, and generosity. Also, she is one of the most beautiful women I have ever seen in my life. Bernadette is just amazing at what she does and is so very kind. She also has the most amazing skin and shared a few of her secrets with me. Angela allowed me to explore and play in our scenes and taught me not to be afraid to take a chance on a choice if it feels right. She has this gentle strength with an underlying current of positivity that I will never forget. Elaine Stritch was a pure firecracker. As spunky as she was talented, she had some one-liners that were enough to make even the most morose person bust up laughing. She had the greatest stories about life and the industry which became parables for me to teach me life lessons I will always keep with me. I will never forget these women and all that I learned from them. Every day, I aspire to be more like them and to make my career last for the rest of my life.

So from Disney to MTV, you now play Harper on Happyland, can you tell us a little bit about the show and your character?

Yes! Happyland follows the story of a group of people working at a theme park of the same name. Irony abounds in Happyland as nothing happy ever happens there – pretty much everything that could possibly go wrong for the characters does. Not only are they dealing with normal teen drama, they are slapped with the craziness of keeping the park running smoothly! Chaos ensues in this dark comedic look at the underbelly of a family theme park. I play Harper Munroe on the series. She is this fun, flamboyant girl who loves to live life in the moment. She is not afraid to take chances and make mistakes. She is extremely boy crazy and has no gauge of the consequences of her actions – a dangerous combination that often leaves her cleaning up messes she makes for herself. At heart though, Harper is a fiercely loyal friend with a big heart who will fall hard and fast for just about anyone who invests their time in her. She has some difficult choices to make throughout the series, but always seems to weather any storm with a bit of grace and a great pair of shoes.

Your style is impeccable! Who are some of your favorite designers this season?

Oh thank you! You are too kind. I love fashion. I think clothing should be an outward expression of who we are on the inside and how we are feeling that day. There are so many possibilities for styles and looks that I think people should embrace that and take chances to really find their own unique style. Some of my favorite designers and brands this season are Aritzia, Wildfox Couture, Ted Baker, BCBG, Alice and Olivia, Marchesa, Monique Lhuillier, Herve Ledger, and Valentino.

What has been one of your favorite moments or interactions with a fan?

Because I worked for Disney Channel on several projects, I get recognized quite a bit by little kids which is pretty much the most adorable thing ever. I love seeing their reactions when they see my face or hear my voice, it’s just so cute. One of my favorite instances, I was at a fair with Olivia Holt right after Girl vs. Monster premiered a few years ago. These two little girls came running up to Olivia and told her how much they loved the movie and started singing the songs. Then they looked up and saw me. I never knew how kids would react to me in the film because I play such a mean character. These girls were silent all of a sudden, just staring up at me and I was starting to get worried. Then they gave me the biggest hug I have ever seen a little kid give. They latched on to me and would not let go. It was simply the cutest, and one of my favorite fan experiences, to date.

You’ve acted in everything from Glee to Law and Order to 30 Rock; have you ever had any “fangirl” moments when you walked onto a set with other actors?

Actually, I have had those moments, but I keep it internal. I always keep it professional on set but there are times where inside I am completely fangirling out. Funny you mention Glee because that was one of the occasions. My scene was with Lea Michele and she is one of the people I aspire to follow in their footsteps. Her voice is so killer and she’s had such success in theatre and film! I had to be very unkind to her in the scene and I felt so bad! I did it though and she was super sweet about everything so it was a lovely time! Not only did I work on the set of 30 Rock but I visited a few times with Elaine Stritch while I was working with her. Every time I saw Tina Fey, my heart would skip a beat. She is so brilliant and multitalented, I am in utter awe of her. She’s a real class act as well. The first time I was there, I met her once briefly and every time I was on set after that she took the time to say hello and call me by name. I was really quite impressed. One of my favorite and most unexpected experience of this sort was when I was doing ADR (the process where they bring actors in to fix the audio on their lines if needed) for New Year’s Eve. Everyone, and I mean everyone, was in that movie so I didn’t know who I would see around my session time. To my surprise, the person who had a session directly before mine was Cary Elwes – none other than Westley from The Princess Bride. That is one of my all time favorite films, so I was so thrilled to meet him. He was so kind and we actually chatted for quite a while!

What kind of a training schedule do you have to maintain to keep your dancing, acting and singing on point at all times? You must be extremely disciplined.

Well I wish I had time for a true training schedule, but I do try and make it to dance class as often as I can. Dancing is such a relaxing and refreshing experience for me. It is something I have done and enjoyed my whole life so it has become my escape and my safe haven. If I’m having a bad day and just need a break for a few hours, I can take a few dance classes and feel like a brand new person after. I just feel better physically and emotionally when I dance, it clears my head and gives me a chance to think through any decisions or other things I am going through at the moment. I do train in singing as well. It is another passion that has come with this industry. I am currently working on my own music and am in the studio whenever I am not on set! Stay tuned for more of that coming soon.

I am extremely disciplined. I think a lot of that comes with my internal drive and focus. I am aware that there is always room for self improvement and growth so I am always on the lookout for those opportunities. I am also extremely dedicated to my education and have always been self motivated in that respect. I graduated High School with honors at age 14, received my Bachelor of Science in Business Administration Summa Cum Laude at 17, and am now working on a Masters degree in Business and Applied Economics.

A Big-Deal Debut at Balenciaga

The very first Balenciaga collection from Demna Gvasalia, of Vetements, walked in Paris this morning. Gvasalia replaces Alexander Wang as creative director, though the two aren’t entirely dissimilar: both early-30s, both with a rabid fan (and customer) base for their main lines, both known for being in touch with the kids; almost fetishized by the fashion industry for their respective “cool.”

The changing of hands at a global, historic brand like Balenciaga is a big deal, and the show was one of the most-anticipated of the fall 2016 season. Vetements has a very distinct trickle-up street look, iconized by oversized hoodies and influenced by the aughts. How would Gvasalia approach Balenciaga, a house known for the architectural but ladylike cocoon coats of its founder, Cristobal, and still supported in no small part by the recognizable motorcycle bag of Nicolas Ghesquière’s era?

The first point of distinction came with the announcement that the show would be streamed in 3D, viewable online as well as by a VR headset-compatible app. While other brands have released their fashion shows and collection videos with these 360 videos, none to my knowledge have done that paired with instant streaming. Sadly, the feed didn’t work very well. Twitter pictures and Instagrams from the front row were the most reliable first view of the looks.

So, then, the clothes. It really does appear to be a Vetements-tinged Balenciaga; but what would you expect? The proportions are exaggerated and there is a glamorization of blah clothes like puffer jackets, but there still is a healthy respect for Balenciaga signatures.

The level of proportion play varied greatly throughout the show. One third in to the 44 looks, we see an off-the-shoulder sweater with a traditional-enough trench cinched at the waist, and a slim mid-length skirt. Three models later, we have a cartoon-large men’s shirt half-tucked in to a calf-length tulip skirt. Almost all of the outerwear, including protective winter styles, were worn off-the-shoulder, with riffs on familiar jackets: jean, moto, trench, ski.

Gvasalia, who has also designed for Louis Vuitton and Margiela, put out a fair amount of suiting, too, a category he played with at Vetements for the first time this season. The opening look was a grey, two-button blazer with a molded peplum and a matching, knee-length skirt with a slit that ended somewhere above where the jacket hit. There were a ton of floral dresses, patching together different flowers and styled with candy cane tights (not my personal fav).

As for accessories, there were everyday-looking bags in the front half of the show, in muted navy, olive, burgundy, and camel leather. The later half featured supersized totes — like Ikea shopping bag-big. Glossy, thigh-high boots in purple and black, as well as printed floral, will probably be commercial hits; those clunky platforms will win some hearts, too.

It wasn’t the typical glamour or splendor expected from Balenciaga, but neither of those things are particularly “in” right now, anyway. It’s a casual, quiet moment where a brand like Vetements can peddle hoodies that cost a G; now Balenciaga can sell puffer jackets for three G’s.

OSCAR WINNERS 2016

The complete list of 2016 Oscar Winners are here! View the list of winners below from OSCAR SUNDAY as well as the complete list of 2016 Oscar nominees. Look for the **WINNER** posted next to each awarded nominee. Mad Max: Fury Road had 10 nominations and took home the most awards with 6 Oscar wins!  As viewers waited, excitement ensued when Leonardo DiCaprio won his first Oscar for Best Actorshowcasing his role in The Revenant.

The Best Actress category had a star-studded line-up with Cate Blanchett,Carol, Jennifer Lawrence, Joy, Charlotte Rampling, 45 Years, Saoirse Ronan, Brooklyn and Brie Larson, Room, who took home the Oscar.

See the full list of 2016 Oscar winners that were announced OSCAR SUNDAY below!

BEST PICTURE

The Big Short

Bridge of Spies

Brooklyn

Mad Max: Fury Road

The Martian

The Revenant

Room

Spotlight – WINNER

=============================

ACTOR IN A LEADING ROLE

Bryan Cranston, Trumbo

Matt Damon, The Martian

Leonardo DiCaprio, The Revenant – WINNER

Michael Fassbender, Steve Jobs

Eddie Redmayne, The Danish Girl

Leonardo DiCaprio

=============================

ACTRESS IN A LEADING ROLE

Cate Blanchett, Carol

Brie Larson, Room – WINNER

Jennifer Lawrence, Joy

Charlotte Rampling, 45 Years

Saoirse Ronan, Brooklyn

=============================

ACTOR IN A SUPPORTING ROLE

Christian Bale, The Big Short

Tom Hardy, The Revenant

Mark Ruffalo, Spotlight

Mark Rylance, Bridge of Spies  – WINNER

Sylvester Stallone, Creed

=============================

ACTRESS IN A SUPPORTING ROLE

Jennifer Jason Leigh, The Hateful Eight

Rooney Mara, Carol

Rachel McAdams, Spotlight

Alicia Vikander, The Danish Girl  – WINNER

Kate Winslet, Steve Jobs

=============================

ANIMATED FEATURE FILM

Anomalisa

Boy and the World

Inside Out – WINNER

Shaun the Sheep Movie

When Marnie Was There

=============================

CINEMATOGRAPHY

Carol

The Hateful Eight

Mad Max: Fury Road

The Revenant  – WINNER

Sicario

Mad Max: Fury Road - Oscars 2016

COSTUME DESIGN

Carol

Cinderella

The Danish Girl

Mad Max: Fury Road  – WINNER

The Revenant

=============================

DIRECTING

The Big Short

Mad Max: Fury Road

The Revenant  – WINNER

Room

Spotlight

=============================

DOCUMENTARY (FEATURE)

Amy  – WINNER

Cartel Land

The Look of Silence

What Happened, Miss Simone?

Winter on Fire: Ukraine’s Fight for Freedom

=============================

DOCUMENTARY (SHORT SUBJECT)

Body Team 12

Chau, beyond the Lines

Claude Lanzmann: Spectres of the Shoah

A Girl in the River: The Price of Forgiveness  – WINNER

Last Day of Freedom

=============================

FILM EDITING

The Big Short

Mad Max: Fury Road  – WINNER

The Revenant

Spotlight

Star Wars: The Force Awakens

=============================

FOREIGN LANGUAGE FILM

Embrace of the Serpent

Mustang

Son of Saul  – WINNER

Theeb

A War

=============================

MAKEUP AND HAIRSTYLING

Mad Max: Fury Road  – WINNER

The 100-Year-Old Man Who Climbed out

the Window and Disappeared

The Revenant

=============================

MUSIC (ORIGINAL SCORE)

Bridge of Spies

Carol

The Hateful Eight  – WINNER

Sicario

Star Wars: The Force Awakens

=============================

MUSIC (ORIGINAL SONG)

“Earned It,” Fifty Shades of Grey

“Manta Ray,” Racing Extinction

“Simple Song #3,” Youth

“Til It Happens To You,” The Hunting Ground

“Writing’s On The Wall,” Spectre  – WINNER

=============================

PRODUCTION DESIGN

Bridge of Spies

The Danish Girl

Mad Max: Fury Road  – WINNER

The Martian

The Revenant

=============================

SHORT FILM (ANIMATED)

Bear Story – WINNER

Prologue

Sanjay’s Super Team

We Can’t Live without Cosmos

World of Tomorrow

=============================

SHORT FILM (LIVE ACTION)

Ave Maria

Day One

Everything Will Be Okay (Alles Wird Gut)

Shok

Stutterer  – WINNER

=============================

SOUND EDITING

Mad Max: Fury Road  – WINNER

The Martian

The Revenant

Sicario

Star Wars: The Force Awakens

SOUND MIXING

Bridge of Spies

Mad Max: Fury Road  – WINNER

The Martian

The Revenant

Star Wars: The Force Awakens

=============================

VISUAL EFFECTS

Ex Machina  – WINNER

Mad Max: Fury Road

The Martian

The Revenant

Star Wars: The Force Awakens

=============================

WRITING (ADAPTED SCREENPLAY)

The Big Short – WINNER

Brooklyn

Carol

The Martian

Room

=============================

WRITING (ORIGINAL SCREENPLAY)

Bridge of Spies

Ex Machina

Inside Out

Spotlight – WINNER

Straight Outta Compton

The 88th Academy Awards were hosted by Chris Rock, Oscar Sunday, February 28 7e|4p on ABC. Thanks for watching. See you next year!

VERSACE SPRING 2016 COUTURE

Versace Couture show is a Versace Couture show is a… festival of bombshells in bombshell minis, maxis and chic clingy pants and tailored jackets.

Donatella Versace kicked off spring couture week in Paris on Sunday, Jan. 24, with the sexiest supes on the planet: Mariacarla Boscono, Irina Shayk, Rosie Huntington-Whiteley, Natasha Poly, Lara Stone, Joan Smalls, Gigi Hadid, Jamie Bochert — none of those new, odd-looking, angular skinny girls for her!

She put the sexiest big-name models in the sexiest dresses, and we can be sure we’ll be seeing some of her couture looks with these influences (not exactly the same gowns, of course) at the SAGs, Grammys, Oscar week parties and likely, the Oscars themselves.

TRENDS

The current ones: sheerness, paneling of sheer with texture, strapless, mesh, net, cutouts — but done in a new way. The mesh and net were often beaded, there were ropes of Swarovski crystals connecting the cutout dresses, and halter dresses were topless and worn over matching bralettes for a combined sexy/sporty look.

Asymmetry was in full force, as long-sleeve gowns featured open work on one sleeve and not the other. There also were torso cutouts similar to those on the red Dior dress Jennifer Lawrence sported at the Golden Globes, and even leg cutouts. The sporty theme applied to the pants looks, which were all shown with crisp bomber jackets — the jacket of the season for sure. And one newish look Versace did spectacularly: spider-web mesh, a little bit Elvira, but not all over the body — just patches of it. And of course, skin, but that goes without saying.

See more The Best Sundance Film Festival Looks So Far

LENGTHS

The pants were slightly cropped, the jackets mostly came to the waist and there were very skinny mini dresses. There was a handful of long ones, too, but those were all split in the legs, revealing maximum leg cleavage. Angelina Jolie’s Versace leg revealer is demure compared with these. There also were some mini ’80s-style Ally McBeal power suits in case a Dallas or Dynasty reboot is in order.

COLORS

White, white with touches of neon yellow, sky blue, royal blue, black, sheer black, orange red, black with multicolor art nouveau touches.

See more Paris Couture Week’s Front Row

STANDOUT GOWNS 

Huntington-Whitely in a royal blue halter that was flung open just below the high thigh — it was like an extended bathing suit. Too bad she wore it on the runway, because she’d look great in that at the Vanity Fair party. Shayk in a black, spider- web, long-sleeve beaded gown with asymmetrical detail wouldn’t just turn Bradley Cooper’s head.

RELEVANCE TO HOLLYWOOD

At least one Versace Couture gown shows up on every major red carpet, and it’s an Oscars staple. Donatella herself often sets up shop to work on the dresses with her clients, who are always her friends.

WHO MIGHT WEAR IT

Lady Gaga is always a likely candidate, though she has been toning it down a lot lately. But since she’ll likely sing at the Oscars (and Grammys?), she’ll need a few different looks. Jennifer Aniston would kill it, if DV would make her one of these with a little less flesh showing.

Kate Hudson probably has three on order already. Margot Robbie could rock any of these looks, though she does require a bit of modesty. Jennifer Lopez — goes without saying. AndBrie Larson showed off a great figure at the Globes, but as a likely Oscar winner, she won’t go this sexy — but she might to the SAGs.

SELENA GOMEZ VIDEO FOR “HANDS TO MYSELF”

Multi-platinum singer and actress Selena Gomez debuts they sexy video and much talked about video for her new single  “Hands to Myself” today on Vevo.  The video, directed by Alek Keshishian (Madonna:  Truth or Dare) can be viewed HERE.  Be sure to check out the “Behind The Scenes” footage from the video HERE.

 

“Hands to Myself” is the third single off of Selena’s critically acclaimed album Revival which debuted at #1 on the Billboard 200 chart.  Spin Magazine declares Hands to Myself” is enough evidence that Gomez means business.”  Stream “Hands to MyselfHERE.

 

“Same Old Love” the second single off the album is currently #1 at Top 40 Radio for the second consecutive week. The first single “Good For You” spent two consecutive weeks holding the #1 spot at Top 40 Radio.  Revival is available now for digital download.

 

Gomez will make her “Saturday Night Live” premiere this weekend as the musical guest!

 

This spring Gomez will embark on her worldwide “Revival Tour.” The first leg will find Gomez traveling to 41 cities across the United States and Canada. The tour kicks off in Las Vegas on May 6th at Mandalay Bay and hits major markets including New York, Los Angeles, Chicago, Boston, Dallas, Toronto, Montreal, Vancouver, and more. Additional international territories and dates are expected at a later time.  See all announced dates HERE. 

Golden Globes 2016 Winners

Golden Globes 2016 winners:

 

Best Motion Picture, Drama: The Revenant

Best Actor in a Motion Picture, Drama: Leonardo DiCaprio, The Revenant

Best Actress in a Motion Picture, Drama: Brie Larson, Room

Best Motion Picture, Comedy: The Martian

Best Actress in a Motion Picture, Musical or Comedy: Jennifer Lawrence, Joy

Best Actress in a TV Series, Drama: Taraji P. Henson, Empire

Best Director, Motion Picture: Alejandro González Iñárritu, The Revenant

Best TV Series, Drama: Mr. Robot, USA Network

Best Original Song, Motion Picture: “Writing’s on the Wall,” Spectre

Best Actress in a Limited-Series or TV Movie: Lady Gaga, American Horror Story: Hotel

Best Foreign Language Film: Son of Saul, Hungary

Best Actor in a TV Series, Comedy: Gael García Bernal, Mozart in the Jungle

Best Screenplay, Motion Picture: Aaron Sorkin, Steve Jobs

Best Original Score: Ennio Morricone, The Hateful Eight

Best Supporting Actor in a Motion Picture: Sylvester Stallone, Creed

Best Animated Feature Film: Inside Out

Best Actor in a Motion Picture, Musical or Comedy: Matt Damon, The Martian

Best Actor in a TV Series, Drama: Jon Hamm, Mad Men

Best Supporting Actor in a Series, Limited-Series or TV Movie: Christian Slater, Mr. Robot

Best Actor in a Limited-Series or TV Movie: Oscar Isaac, Show Me a Hero

Best TV Movie or Limited-Series: Wolf Hall, PBS

Best TV Series, Musical or Comedy: Mozart in the Jungle, Amazon Video

Best Supporting Actress in a Series, Limited-Series or TV Movie: Maura Tierney, The Affair

Best Supporting Actress in a Motion Picture: Kate Winslet, Steve Jobs

Cecil B. DeMille Award: Denzel Washington

Kate Moss and many ad campaigns

While it’s not Fashion Week just yet, brands are gearing up for the new season with their latest ad campaigns. The shots take us from the streets of New York to the great outdoors and feature plenty of eye-catching clothing. And while the major themes differ between fashion houses, expect to see plenty of familiar faces, like Gigi Hadid and even Jaden Smith. Just scroll for the latest from Spring/Summer 2016, and then keep coming back as more are released!


 

Gucci Goes Downtown New York

PHOTO: Courtesy Gucci

Gucci’s new digs (Photo: Courtesy Gucci).

With the simple click of a mouse, the act of holiday shopping has been reduced to the bare minimum. To save us from such tedium, New York has three new, real shopping meccas to actually experience,  on each corner of the island.

Glimmering Ippolita earrings can be found at Bergdorf Goodman’s revamped bijoux boutique and Gucci’s coveted wares can be scooped up way downtown. Finally, melt away seasonal stress with a holistic massage at Naturopathica’s wellness spa.

Bergdorf Goodman: “It’s kind of exciting, going from dust to diamonds,” said Bergdorf Goodman’s senior vice president of the fashion office, Linda Fargo. She was describing, via telephone, the store’s new jewelry department, which will open to the public on December 12.

A rendering of the new jewelry section (Photo: Courtesy Bergdorf Goodman).

A rendering of the new jewelry section (Photo: Courtesy Bergdorf Goodman).

With a focus on respecting the heritage of the 116-year-old store, Ms. Fargo was inspired by trips to Paris and Italy. “They have a lot of buildings in the great European tradition, but when you go inside, they’ve been very lightly and surprisingly updated. The result is an incredible hybrid of past and future.”

The new bauble counter will be located by the 57th Street entrance of Bergdorf’s. Gone is the wood parquet flooring; in its place are swirls of marble and lush carpet, in the chosen hue, soft gray. The walls will be paneled and painted with Farrow & Ball’s Pavilion Gray. Glimmering crystals, antique chandeliers and rock crystals will add to the sparkle and a gemstone motif will be spotted on vitrines throughout.

Another view of the jewelry section (Photo: Courtesy Bergdorf Goodman).

Another view of the jewelry section (Photo: Courtesy Bergdorf Goodman).

New designers Yannis Sergakis, Daniela Villegas and Piaget will join existing brands David Webb, Loree Rodkin and Lorraine Schwartz. Additionally, the refurbished space will be celebrated through a collaboration with 18 designers and Gemfields, the responsible supplier of colored gemstones.
Bergdorf Goodman, 754 5th Avenue, New York, NY 10019, 1-800-558-1855

Gucci: Once known as the garish Italian label with interlocking G’s, Gucci has been the buzzy brand on everyone’s lips, thanks to new creative director, Alessandro Michele. Come December 7, his geek chic cruise 2016 collection for both men and women will land at Brookfield Place.

(Photo: Courtesy Gucci).

Hello, Gucci (Photo: Courtesy Gucci).

The trimmings of the 8,000-square-foot boutique will mirror that of the Gucciflagship on Via Montenapoleone in Milan. Aligned with Mr. Michele’s eclectic adoration of all things vintage, the space will contribute to the bright collections, rather than fade into the background. Velvet armchairs will be toughened up with hard details like rivets. Antique oriental rugs will be artfully layered, while marble will crisscross the floor in a 3-D effect. Racks of silver bomber jackets and colorful lace frocks will fight for the spotlight.

Holiday gifts are on display in a way that will bring a smile to shoppers’ faces. Flocks of wooden hands, laden with stacks of golden rings, will model the boxy Dionysus bag of the moment. Scarves will be wound around velvet mannequin heads and busts will boast delicate silk flowers.
Gucci, 200 Vesey Street, Suite 119, (212) 634-8500

Naturopathica: The buzzword “wellness” has been used to near exhaustion this year so test the trend and head to Naturopathica, a wellness center in Chelsea that claims to be different.

The beauty treatments for sale at Naturopathica (Photo: Courtesy Neuropathica).

The beauty treatments for sale at Naturopathica (Photo: Courtesy Naturopathica).

From December 7, one will be greeted on the right by blue bottles of natural face creams and health-improving tinctures. On the left is the Vitality Bar, where fresh kombucha is on tap.

Founded by Barbara Close in 1995, Naturopathica was on a health kick long before the green juice craze. But Ms. Close’s interest in the topic began long before that. “When I was a teen, I would spend my summers visiting an eccentric aunt outside of Paris. We would get bath cures, soak in the mineral waters or check out little old apothecaries,” she explained.

Here, Naturopathica boasts a relaxing spa where one can book an Alpine Arnica massage or a Bio-Energy Lift facial with liquid microdermabrasion. A spa day will finish off with a moment in the meditation lounge, surrounded by panoramic images of mountains or the sea.

A peek at the vitality bar (Photo: Courtesy Neuropathica).

A peek at the vitality bar (Photo: Courtesy Naturopathica).

Ms. Close is also a proponent of at-home treatments. “Our Sweet Birch Magnesium Bath Flakes are great. A lot of people have Magnesium deficiency, which creates fatigue and headaches,” she said. “Fill up the tub with super-hot water and put in about an ounce of these flakes.” Et voilà, those holiday worries will just soak away.
Naturopathica, 127 West 26th Street, (646) 979-3960

Sophie Simmons

KISS fans are probably the most familiar with Sophie Simmons. Daughter of rock God Gene Simmons and Playmate Shannon Tweed, Sophie practically grew up on camera with the reality show, “Gene Simmons’ Family Jewels.” There is much more to Sophie Simmons than being a Hollywood kid, though. Sophie is not only a model, fashion designer, singer/songwriter and actress, but she is also a positive role model for body image. RUNWAY loved getting to know this amazing woman, and we hope you will, too!

ENTERTAINMENT

Can you tell RUNWAY readers what it was like growing up in the spotlight? How did it help mold you into who you are today?

I don’t think a lot of people are equipped to handle the ‘spotlight’. Although, I must say my parents did a pretty good job of keeping my brother and I out of it until we began “Family Jewels”. We shot the pilot of GSFJ when I was 11-years-old. I think I was too young to understand what the press or social media was saying at that point. But, I was never a troubled kid. I could have easily gone down a dark road. Drugs and alcohol were plentiful in my friend-group and I just never was curious about it. I think having the attention of a show on me at a young age made me feel like I had to be on my best behavior; in a good way. I didn’t want to be one of the girls that I read about in the tabloids. I’m all for having a good time, but I think the ‘spotlight’ defined having a good time for me as more wholesome fun. I do think, however, that I would have been in a much brighter spotlight if I had gone down the dark path.

You, yourself, are a talented fashion designer. Do you have a favorite item from your Sophie X spring/summer line?

I became a really big fan of kimonos after this spring collection. It was never in my closet before and the girls at The Style Club told me I should give them a shot. So it became a majority of the collection. I think they are flattering on everyone and you don’t really size kimonos. I like the idea of not labeling women with a number. Lots of festival inspired pieces. Whites, oranges, browns and blacks. Desert inspired as well and some embroidery. Everything is just loose fitting and comfortable so you can frolic all summer long.

Can you give us any sneak peeks into the fall collection? What color schemes or styles can we expect?

We haven’t planned that far ahead to the fall collection. It was supposed to be a three-part capsule, and this spring/summer collection is number three! But you never know! I think my goal has always been to just keep collaborating with brands that have a message that I identify with! So far The Style Club and Diamondére have been amazing and you can see all that on SophieTSimmons.com. Next up, I am really looking into HeyGorgeous!, an online size 8 and up fashion retailer. They are really focused on female empowerment. I’d love to do something with them to highlight the sexy side of women size 8 and over. I’m in that category and I feel a lot of times we are not looked at as sexy.

After appearing on the reality show, “Family Jewels”, what made you and your mother want to do your own show together?

We didn’t actually want to do another show! It’s funny, we were getting a lot of fans on social media asking why we ended Family Jewels. And the answer is, we all got busy. Putting on a show is hard and really time consuming. I wanted to go to college and really do it right. After college ended, we got a request to do a kind of follow-up to GSFJ more focused on what I was working on in fashion, music and the arts. My mom is a big part of my decision making and she’s my best friend so naturally it was focused on the both of us. I think we agreed, one season, just to show the fans what we are up to. But since it aired I’ve been getting offers for a solo show. So it seems I can’t get away! And I’m thankful for that. It’s work and fun, and I’m happy to do it.

You’re also a musician. Can we expect an album in your future?

I think next up is my single release. After that, definitely an EP. I think I am more of a singer/songwriter, but to compete in this world, it’s pop all the way. I don’t believe an artist should give up so much of their income to record labels and streaming companies, so I’m trying to find an alternative way to do things. Taylor Swift had the right idea pulling her music off Spotify. Artists put so many hours into each song and it’s a shame they don’t get the credit they used to.

Being in the public eye as an actress and fashion designer/ model, what kind of pressure does that put on you physically and mentally?

There is of course pressure to look put together and in shape. Mentally, it is exhausting to think of your appearance day in and out. I think it backfires on me sometimes because I’ll wake up and decide I don’t care at all and look absolutely terrible all day. I’ve never had a “glam squad” to help me get ready and I refuse to spend two hours on my appearance. I have things to do! For some reason if you’re on a TV show, or a musician or in the media whatsoever, it makes people think that it’s okay to bash on you for taking a comfy sweat pants day. We are still people! It’s really hard work to be “presentable” all the time.

When the cameras aren’t rolling, and all eyes aren’t on you and your family, what do you do in your alone time?

Literally nothing and it is the best. I’m half kidding. I do work other than what you see on the show. I am a brand consultant, model and I run my own children’s charity (Sophie’s Place). But it is nice to just sit on the couch with a coffee and hang out. I have never been the party gal, so I would love to say that I go out to clubs and dinners but I am really a homebody.

You have a few movies you just filmed. Can you tell us about them and when we will get the chance to see them?

I guess I’m kind of an indie gal. A lot of my projects I choose because I think they would be fun! I love acting and it is a big passion of mine. For now, I am in class and learning to

The Breakdown: Textiles and the Making of a Garment

by Michelle Mousel

When you see fabulous new fashion trends saunter down the runway, you probably don’t think about how they were made. Every fiber of that design originated somewhere in a mill, textile factory — or was completely hand-woven. The process from cuts to catalogs is quite extensive, and further insight is sure to make you rethink the fashion world around you.

It’s in this in-between stage that holds the bulk of the creation process, and being behind-the-scenes, it’s also the most overlooked. The textile designers within the fashion houses are rarely known by people outside the close-knit industry and it’s even lesser-known that their schedules often consist of fast-paced 15-hour workdays at the studio one week and last-minute gigs or interviews in entirely different countries the next.

A rising star in the textile industry, Stine Linnemann is a Danish textile designer who specializes in woven textile design for high-end fashion and is one of those designers who work tirelessly behind the scenes with top designers through utilization of her creative weaving skills. Her textile designs have graced the runways of Alexander McQueen, Givenchy, and Louis Vuitton, and some of her more recent consultant work was for the fashion houses of Calvin Klein, Paul Smith, and Dries Van Noten. We get an exclusive peek inside her mind to learn more about what really goes on behind the scenes and the hidden world of textiles.

One of the most fascinating discoveries about Stine was her interest in weaving at such a young age. At seven years old, with no prior experience or knowledge, she weaved a basic grid structure out of palm leaves she found in the garden at her home in Hawaii. This would turn out to be the first of many introductions to the world of weaving and textiles. Over the years, a series of instructors and classes would hone her skills, including acceptance and completion at the prestigious Royal Danish Academy of Design in Copenhagen and graduating with an MA from the top design school in the world, the Royal College of Art in London.

Many aspiring fashion designers dream of their creations coming to life on the shoulders of a professional fashion model or A-list actress, but rarely do they know that before the garment even reaches the stage – or your closet – it undergoes an extensive process of creation. Once a design is sketched out on paper in great detail, the fabric, texture, and overall aesthetic must be carefully considered before any further progress can be made. This stage alone can take weeks or months for a decision to be mulled over, of which it often undergoes several revisions.

In many circumstances, the designers may work closely alongside their team to create the perfect fabric, or receive outside pitches of pre-made samples to better curb their decision. These samples are referred to as swatches, which can be used to directly or indirectly influence the fabric development process.

Once the swatches are selected, a series of textiles will be made from their design and then pieced together to make a rough-cut amalgamation. If the designer is happy with the rough draft, all the embellishments will be added and the team will continue to refine the garment until a fully completed outfit is ready for show.

Upon graduating with her BA, Stine realized she was thrust into the fast-paced world of high fashion when her first paid assignment for Alexander McQueen was also her most challenging. She was tasked to design and create a series of textiles, but without a loom for her to use, she had to improvise. She remembers staying up late watching badly filmed videos of elderly women doing backstrap weaving to better learn her craft. Within the next two weeks she had built looms herself and guided a team of interns through a process of intense weaving that consisted of making yarn from cutting strips of fabric and sowing them together, cutting the fur with a special fur knife and sewing everything together to create fur “yarns.” The end result was two fully hand-woven garments walking down the runway in Paris for Alexander McQueen’s A/W 2011 collection. For Stine this was well worth the effort, seeing her work realized in the most prestigious fashion week in the world.

Next, Stine received a sponsorship with Danish fur company Saga Furs, where she created and developed a special technique for making a sort of fur yarn by combining several types of fur with a furworking method that allowed her to spin them together to form stunning “cords” of fur. She then weaved these into much larger hand-woven fabrics that were then lent out and shown to several high-profile clients, one being Givenchy, who immediately requested she do a special version of this design exclusively for them. Her hand-woven designs inspired two of their main garments of the A/W 2014 season.

The amount of success that Stine has achieved so far in her short career is impressive, and she states that working with Paul Smith or Louis Vuitton Menswear were her most favorites. She has experienced the incredibly demanding world of fashion at a pace that staggers most people and continues to press forward, thriving on the stress and rigor of each job. Because of the split-second rarity of opportunities, she’s found that it’s best to take every opportunity that knocks, and that it’s incredibly normal to have to accommodate very tight deadlines, as “fashion houses always want it yesterday,” she muses. Still, with a resume that fascinating, the textile industry remains relatively obscured, so she has begun to establish her own self-titled textile brand in Copenhagen, which will cater to high-end fashion clients and interior companies worldwide.

A rising star hidden behind a cloud of industry obscurity, Stine Linnemann proves hard work, persistence, and patience do pay off, and with a bit of luck, she’s quickly making a name for herself in a booming industry. After learning firsthand how much work goes into each piece on the Fashion Week runways, one can muse that each garment truly is a work of art, touched by the hands of many artists across a wide range of aesthetic designs.